KeEPEr oF ThE KeYs...

 
Tryst with tunes Pianist Stephen Devassy

Stephen Devassy marries the classical to the contemporary, the Western to the Eastern, and this is reflected in the collage of pictures at his audio engineering school, a mix of music maestros across centuries, continents and genres. The 30-year-old pianist, today, is widely regarded as an enthralling stage performer, an innovative arranger of film music and a brilliantly original composer.

Stephen, who hails from Ottapalam in Palakkad district, has been displaying his virtuosity with the keys since his late teens, when he began to receive opportunities to perform and work with the cream of the nation's music fraternity, including A.R. Rahman, Zakir Hussain, Amjad Ali Khan, Hariharan, Anandan Sivamani, Shankar Mahadevan and Mandolin U. Shrinivas. But it is only in the last six years, after he began operating from Chennai, that Stephen has evolved into a musician with a clear vision of where he wants to go.Part of this vision is Musik Lounge Studios, a professional recording facility in Saligramam, and the state-of-the-art Musik Lounge School of Audio Technology in Vadapalani (promoted by Hariharan, Sivamani, M. Jayachandran and Stephen's elder brother, Samuel Devassy). This infrastructure enables Stephen to generate a staggering amount of arrangements for films and private albums. (In a career spanning around 13 years, he has arranged music for 2000 songs in various languages).

"Being based in Chennai gives me a strong foothold in the South Indian film music industry," says Stephen. "Even the songs for Malayalam films are largely programmed in Chennai." The amount of work in the studios and the easy accessibility to performers encouraged Stephen to launch his school. "Our students experience firsthand the science of music-making. They also get to meet the experts in the field. "His greatest passion, however, is performing on stage. He is, right now, red-eyed from lack of sleep, having returned from Dubai just a few hours before this interview. "He is always sleep-starved," complains Venkataraman, a key figure at the music school and Hariharan's former keyboardist.

Stephen is much sought after for his solo shows, where he often juggles with three or four keyboards. He values extemporaneity and stage shows allow his imagination a free rein. He also enjoys innovating with other stalwarts. He has given about 60 ghazal performances with Hariharan. "None of them had a rehearsal," says Stephen. Four years ago, Stephen formed a deep friendship with Sivamani during a performance in Dubai. "Sivamani was all set to start his solo performance, when he asked me if we could jam together." Since then, Stephen and Sivamani have shared over a hundred platforms, enthralling thousands of music lovers.

Stephen believes that the utmost purpose of music is to give joy to listeners. "This can be achieved only if a performer bothers to find out what his audience want to hear. "My early training on the piano was restricted to Western classical music, and I played Mozart and Beethoven and Chopin to audiences in Ottapalam and Thrissur who could not much appreciate it," recalls Stephen.

"As I played my pieces fast, they seemed impressed. And when I began to introduce tunes - drawn from local films and folk music - the change was dramatic. They applauded, because they enjoyed what they heard."

Stephen has never forgotten this lesson. From collaborating with sarod maestro Amjad Ali Khan for an album of Christmas carols to mixing western tunes with Sanskrit slokas for a Kosmic Music production to making his world music album Romanza, Stephen has consistently demonstrated that a rich mix of diverse elements is what makes music entertaining. No wonder the applause doesn't stop.

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A musical life

"I could not have helped becoming a musician," says Stephen Devassy, crediting his musical inclinations to his hometown of Ottapalam. "Kathakali and Ottamthullal performances were part of the festivities at the temple behind our house. A piano was heard at the Seventh Day Adventist church in the front. Dapankuthu and band music were also a regular feature of life." As a child from an orthodox Protestant family, Stephen had an early exposure to Church hymns and western music. "As an 11-year-old, I accompanied my brother, Samuel Devassy, to his violin class with Leslie Peter, who also took guitar and keyboard classes. Later, I joined Leslie's keyboard class with a Casio MT 600. Thanks to the training, I could play simple hymns." His focus was sharpened when his father, P.K. Devassy, brought from Dubai a Kenwood system, accompanied by CDs of Eric Clapton Unplugged, Michael Jackson's Dangerous, Boney M and a symphony based solely on the violin. Suddenly, practicing to play the keyboard became the topmost priority. During the six-month vacation following his Class X board exams, Stephen - who had now graduated to a Korg I3 - was taken to Chetna Music Academy in Thrissur to learn to play the piano from Fr. Thomas. "I was placed 250th on the waiting list," recalls Stephen. "My father requested Fr. Thomas to hear me play a piece. I chose Yanni's Nostalgia, which I had learnt by ear. Fr. Thomas asked me to join immediately." The rest, as they say, is history.

COURTESY:THE HINDU

SuPeRnItE wItH SuPeRsTaRs

Photos By Rashmi Vijayan

FrOm tHe sHoWs.....

StEvEn SaMuEl....

Watch Steven Samuel perform on stage and you might think the little drum kit is playing itself. Look closely and you find a little drummer, at times standing and playing, as he can’t reach all the drum pads otherwise. All of four and a half years old, Steven’s latest feat has been to give a solo drum concert before a 20,000 strong crowd at the Jawaharlal Nehru Stadium, Chennai, with none other than the legend himself - Sivamani. In fact Sivamani is so fond of his protege that he invites him to perform on many of his concerts. They now live opposite each other in Chennai, much to Steven’s excitement.

For Steven, music obviously runs in the family, for he is the nephew of keyboard maestro Stephen Devassy. Young Steven started experimenting on the drums when he was just two, and noone still knows how he gets the beats right, least of all his dad, Samuel Devassy, a sound engineer and Stephen’s elder brother. “Whatever he listens to, he imitates, and does it perfectly,” says Samuel. Steven began by drumming on vessels and other toys, when he was just two years old. Noticing his talent, his father got him a junior drum kit on which Steven displayed exceptional talent. His parents say that he is quite extraordinary in that he prefers to watch videos of Sivamani or Stephen performing to getting himself into trouble like usual four-year-olds. “When he is not watching cartoons, he practises. A psychologist has approached us now, who wants to study him and understand how he does it,” says Samuel.

The imitation happens to such an extent that what Steven plays has an Indian flavour to it, similar to Sivamani’s. Steven has been accompanying the choir in the church for quite a while and has started giving solo concerts at his school, Chinmaya Vidyalaya. Samuel takes Steven and his little sister Stephanie to all the concerts of Stephen and Sivamani in Chennai. “They both like Stephen more than me, I think. They hang around him when he is here and sits with him when he practises. It was Stephen who named them both,” says Samuel. Little Stephanie has also started trying her hands at the guitar. And no, they are not the only prodigies in the family, there are more. Abel, son of Biju Solomon, Stephen’s elder sister, is an accomplished keyboard player, following the footsteps of his illustrious uncle. 

Samuel proposes to enroll Steven and Stephanie in piano classes when they turn five. “I don’t have any problem if they choose music as their career. I just want to provide them with the right equipment and exposure they require,” says Samuel.

MuSiCaLlY YoUrS.....

DeEpEsT CoNdOlAnCe.......

  

WiShInG YoU A VeRY HaPpY ViShU.....

StEpHeN DeVaSsY at Sharjah for " A.R Rahman Special Hits"

A concert titled A R Rahman Special Hits will feature performances from his sisters Raihana, Fathima and Issrath, and his "full team" of singers, according to the organisers Media Factary [CQ], but the Slumdog Millionaire-scorer will not perform. The event will take place at Sharjah Cricket Stadium on April 14th at 6.30pm and will also include singers Hariharan, Chitra, Benny Dayal, Naresh Iyer and Sadhna Sargam performing  Rahman's hits.Watch the Magician on Keys Stephen Devassy LIVE in action.

Tickets are priced 

Dh60 for gallery, 

Dh75 for seated,

Dh500 for VIP and 

Dh1,000 for VVIP. 

Call 04-3583633 for more details.

MASTER OF KEYS

He says that he is spiritual but not very religious, yet Stephen Devassy is one of the few Indian musicians (if not the only) to have performed for the world’s top spiritual leaders. This would include not just one, but two Popes — the late Pope John Paul II, Pope Benedict XVI and even the Dalai Lama.

Given a choice, however, another instrument this young pianist would love to learn is the harp. “If I were to pick a solo instrument other than the piano, it would be the sitar,” says Stephen. In August, he’ll be peforming in Madrid for the ‘World Youth Day’ with his band, Rex, with an estimated attendance of over 5 million people, that will include His Holiness himself, again.
It all started when his father brought a keyboard to their Palakkad home and a 10-year old Stephen started taking classes. “When you are playing, it is difficult at first because your left brain is co-ordinating your right hand and vice versa,” he shares. “But when you master this, it becomes much easier.” By the age of 19, Stephen recorded the highest score in Asia, for his exam results from the Trinity College of Music, London with a score of 92.2 per cent. That and the fact, that he finished the ‘dreaded grade exams’ in three years, as opposed to the usual eight years it takes, marked his talent. “I was studying Commerce at the time, and I wasn’t very interested. So I would spend atleast 8-10 hours practising at night, then go to college and sleep,” he explains.
But a career was never on the cards at that time and the piano was purely a passion — until, financial difficulties arose and there wasn’t much choice in the matter. Stephen discontinued college and now a decade later, he clearly has no regrets.
With over 2,000 concerts to his credit, not to mention working with lengends like AR Rahman, Zakir Hussain, Mandolin U Srinivas and renowned French bass player, Dominique Piazza, things turned out beyond expectation for the young pianist. While most of the people who he shares the stage space with are much older him, Stephen emphasises that this is the best part of the experience. “Of course I get nervous, but I think for musicians, the vibes play a big role while performing. It doesn’t matter whether you have rehearsed together, it’s just a give-and-take of energy that makes for great dynamics on stage.”
What his fans may not know is that Stephen is quite the movie buff, his favourites being Amadeus (Story of Mozart), Perfume: The Story of a Murder and the Pirates of the Caribbean series. Despite being actively involved in song arrangement for various films, he says, “I don’t like being locked up in the studio for too long. I am a performer.”
There is more than one concert he can recall where things didn’t go as planned. “There was a time when four out of five of my keyboards got fried because of a generator overload. We performed the entire concert on one keyboard,” adds Stephen.
This year looks to be exciting for him as he’s all-set to complete his solo album (yet to be titled), which he reveals is primarily world music. Add to this is his debut as music director in Tamil cinema, the details for which are still under wraps.
But the project most endearing to him is probably jamming with the students in his newly opened Muzik Lounge, a school of audio technology in Vadapalani, co-owned by his brother Samuel.
If you are passing by, you just might be lucky enough to catch him in action for a performance up-close, at the end of an interview like this one! He played a funk piece, and it is safe to say, with no exaggeration whatsoever, that the ‘keys’ to Stephen Devassy’s soul, are black and white. And they’re on his piano

StEpHeN @ Ragam'11